Playwright & Producer
New plays investigating nonconformity, systemic pressures, and the human cost of living out in the open.
Aimee Dastin is a Washington, D.C.-based playwright and arts administrator dedicated to developing boundary-pushing work. Their writing frequently explores the high pressures of contemporary spaces and the complexity of human decision-making.
They serve as the Audience Experience Manager at the Shakespeare Theatre Company and Vice President of The Arlington Players. Aimee holds a B.A. in Theatre and a Writer’s House Certificate from the University of Maryland, where they served as Assistant Festival Director for the Fearless New Play Festival and as a Stage Manager for mainstage shows.
Set entirely within the claustrophobic locker room of an elite volleyball summer intensive, this high-energy dark comedy investigates the relentless pressures of competitive girlhood. The team operates under the absolute doctrine of alignment enforced by their uncompromising captain, Mackenzie, where image and a manicured social footprint dictate survival while D1 scouts lurk behind every corner.
But when a new player arrives and begins digging into the history of an enigmatic former MVP ghost in the trophy case, a perfectly hidden past begins to fracture the team's polished facade. The play serves as a fast-paced exploration of female friendship, examining what we are willing to sacrifice to sustain the curated versions of ourselves that live purely in our heads.
Spanning from the vibrant, underground nightlife of 1920s Harlem to the modern day, this sweeping dramatic work explores the profound costs of visibility, nonconformity, and queer survival. The play follows Gene, a queer performer of color who adopts a tuxedo persona to claim her space at the piano, and G, a youth in a parallel timeline struggling against the walls of societal expectation.
When an intense, liberating romance challenges the boundaries of an oppressive society, the narrative erupts into a searing excavation of public judgment, tragedy, and the compromises made to survive. Seamlessly weaving historical memory with a modern lens, the piece acts as a powerful anthem for anyone fighting to break out of the shadows and leave a legacy.
This biting backstage satire follows Megan, an exhausted, fiercely defensive playwright whose gritty drama about the opioid crisis is hijacked by corporate interests. Facing immediate eviction and armed with only fourteen dollars, her theater's leadership accepts a massive pharmaceutical endowment. Soon, a ruthless Creative Brand Architect steps in to "optimize" the production, using sentiment-analysis AI to replace visceral themes of human suffering with high-energy wellness jargon and mandatory team-bonding retreats.
As the performatively Marxist acting ensemble swaps systemic rage for bamboo robes and organic sourdough, artistic boundaries erode under a post-sincere corporate vision. The play serves as a sharp, high-stakes comedy about the modern theater industry, exploring the ridiculous tightrope walk between creative survival and corporate compliance in a world where even genuine artistic breakdown can be rebranded as marketing.
Set within a skeletal Upper West Side apartment overflowing with the monumental archive of a late 20th-century Jewish activist, this compelling intellectual drama follows a professional estate liquidator and her hyper-analytical new hire. Racing against a four-hour deadline before university couriers arrive, the pragmatic Rachel approaches the space as a spreadsheet task of pricing literal value, while her fresh-out-of-college assistant, Maya, treats the belongings with deep historical and spiritual reverence.
The routine liquidation erupts into a high-stakes ethical battle when Maya cracks open a locked, lead-lined drawer to reveal an unlisted file of secret letters, an annotated New Testament, and a 50-year-long double life that completely threatens to dismantle the public icon's legacy. When the deceased's impeccably poised daughter returns demanding her mother's most sacred relics, the two women are forced to decide whether they are biographers itemizing a fraud or accomplices protecting a fragile history, investigating the heavy weight of an inheritance and the cages we build from the inside.
An innovative script developed to test the limits of multimedia storytelling, exploring connection and human resilience when the future is completely uncertain.
A witty, wistful monologue tracing the sweeping highs and self-mocking lows of an idealized bookstore meet-cute that vanishes as quickly as it sparked.
A searing, deeply emotional dramatic monologue following a public figure's devastating struggle with grief, guilt, and isolation after the loss of her only anchor.
Read on Page 7 →"[A]n EXQUISITELY crafted play destined for an exciting, wide-reading life""
"Vibrant three-dimensional characters with compelling interplay and clever humor"
"Increasingly topical and refreshingly presented subject matter"
"'This is a Play About God' is OUTSTANDING"
"[M]ust not be missed"
— Unprofessional Opinion, On THIS IS A PLAY ABOUT GOD
"[G]ives us a glimpse into the fervor of the lives of aspiring athletes and what happens when habits turn to tradition."
"Writer Aimee Dastin wisely merges two salient themes: the toxicity that brews from fanatical obsession and the more modern-day lock-in/hustle hyper-optimization of life."
"[T]he thematic elements are extraordinary"
"[K]eeps the audience wondering over where team loyalty ends and self-destruction begins."
— Broadway World, On THIS IS A PLAY ABOUT GOD
"The last play performed, “Cepheus,” written by [Dastin], was quite impressive... It surprised me how emotional and moving a virtual play could be."
— The Diamondback, On Cepheus
| Year | Production / Reading | Venue / Festival | Role |
|---|---|---|---|
| 2026 | THIS IS A PLAY ABOUT GOD (World Premiere) | District Fringe Festival | Playwright & Producer |
| 2023 | Fearless New Play Festival | University of Maryland | Assistant Festival Director |
| 2022 | Harlem’s Badge (Staged Reading) | OutWrite DC | Playwright |
| 2020 | Cepheus (Staged Reading) | UMD Pandemic Players | Playwright |
For script requests, rights inquiries, or production opportunities, please reach out via the form below.